O poder da criação evolutiva
Numa altura em que tem falado muito sobre a criação no seio das empresas sobre gestão de ideias apoiadas em ferramentas de redes sociais, sendo o último exemplo mais badalado a empresa Cisco systems, os discos das bandas Sweethead; Spinnerette e Death Heather, onde nos seus membros estão actuais ou antigos colaboradores dos Queens of the Stone Age, dá que pensar que a forma como são nutridos os talentos, por vezes não podem ser executadas sem a correspondente interacção humana.
Os Queens of the stone age, banda de rock americana estão hoje para musica como Miles Davis e Art Blakey estiveram para o jazz ao dar a conhecer ao mundo musicos muito importantes como por exemplo Cannonball Adderley; John Coltrane; Chick Corea; Keith Jarrett e Herbie Hancock.
Abaixo estão as capas dos discos e algumas notas retiradas da Amazon.
"2009 debut EP by this band formed by Queens Of The Stone Age guitarist Troy Van Lewuwen. Sweethead also features vocalist Serrina Sims, Norm Block on drums (Mark Lanegan Band, Plexi) and Eddie Nappi on bass (Mark Lanegan Band, Handsome). Produced by Troy, The Great Disruptors EP is like a night out on Hollywood Boulevard with a Jack and Coke in your hand; all Rock 'N' Roll swagger and a fantastic taster of what's to expect on their forthcoming 2009 album. Strange Addiction. "
2009 self-titled debut album from former Distillers front woman Brody Dalle. Also including bandmate Tony Bevilacqua and ex-Ret Hot Chilli Peppers and Queens of the Stone Age members Jack Irons and Alain Johannes, this is a mature, experienced Punk Rock record with strong melodies and Pop flourishes, which is reminescent of bands such as Siouxsie and the Banshees, Eagles of Death Metal and the Pixies. Includes the single 'Baptized By Fire'.
The Dead Weather is fronted by Alison Mosshart (known to music fans as one half of London-based rock outfit The Kills) and includes The Raconteurs' Jack Lawrence on bass, Queens Of The Stone Age member Dean Fertita on guitar and Jack White on drums and vocals. White produced Horehound, which was recorded in just three weeks at the newly constructed Third Man Studio, also designed from the ground up by Jack White.
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